Anastasia

Evenementen overvallen de jonge Groothertogin Anastasia Romanov en haar familie: de Eerste Wereldoorlog wordt uitgeroepen en de Russische Revolutie brengt hun bevoorrechte leven ten einde.

Een vrouw die gelooft dat ze Anastasia is, de enige overlevende van het bloedbad van de Romanovs, zit gevangen in een gesticht. Geheugen en fantasie vermengen zich; ze herinnert zich haar redding, de dood van haar man, de verdwijning van haar kind en haar poging tot zelfmoord. Maar ondanks haar nachtmerries kan haar vertrouwen in haar eigen identiteit niet worden geschokt.

"1|1||Opening|ROYAL BALLET & ROYAL OPERA HOUSE||
1|2||Prelude: The distorting mirror of memory, time and place (1. Akt)|ROYAL BALLET & ROYAL OPERA HOUSE||
1|3||On board the imperial yacht, August 1914|ROYAL BALLET & ROYAL OPERA HOUSE||
1|4||Anastasia, the Tsar's youngest daughter, joins her three sisters on deck|ROYAL BALLET & ROYAL OPERA HOUSE||
1|5||Anastasia dances with the officers|ROYAL BALLET & ROYAL OPERA HOUSE||
1|6||Others join the dance|ROYAL BALLET & ROYAL OPERA HOUSE||
1|7||Three officers jump into the sea to take a swim|ROYAL BALLET & ROYAL OPERA HOUSE||
1|8||Rasputin with the imperial family|ROYAL BALLET & ROYAL OPERA HOUSE||
1|9||Anastasia's solo|ROYAL BALLET & ROYAL OPERA HOUSE||
1|10||Anastasia and the Tsarina|ROYAL BALLET & ROYAL OPERA HOUSE||
1|11||The women of the imperial court dance|ROYAL BALLET & ROYAL OPERA HOUSE||
1|12||Alexey falls and Rasputin demonstrates his healing powers|ROYAL BALLET & ROYAL OPERA HOUSE||
1|13||The Tsar and Tsarina take Alexey below deck|ROYAL BALLET & ROYAL OPERA HOUSE||
1|14||The three officers return from their swim|ROYAL BALLET & ROYAL OPERA HOUSE||
1|15||Anastasia and her sister Olga lead a dance|ROYAL BALLET & ROYAL OPERA HOUSE||
1|16||The Tsar is handed news of the outbreak of war|ROYAL BALLET & ROYAL OPERA HOUSE||
1|17||The ballroom at the imperial palace (2. Akt)|ROYAL BALLET & ROYAL OPERA HOUSE||
1|18||Anastasia is presented to society|ROYAL BALLET & ROYAL OPERA HOUSE||
1|19||The Tsar's favourite ballerina and her partner dance for the guests|ROYAL BALLET & ROYAL OPERA HOUSE||
1|20||Anastasia is haunted by the ghost of Rasputin|ROYAL BALLET & ROYAL OPERA HOUSE||
1|21||Anastasia is puzzled by the relationships at court|ROYAL BALLET & ROYAL OPERA HOUSE||
1|22||The revolutionaries prepare|ROYAL BALLET & ROYAL OPERA HOUSE||
1|23||The ball is interrupted by the revolution|ROYAL BALLET & ROYAL OPERA HOUSE||
1|24||Past and present intermingle (3. Akt)|ROYAL BALLET & ROYAL OPERA HOUSE||
1|25||Anna Anderson's identity is questioned: is she Anastasia?|ROYAL BALLET & ROYAL OPERA HOUSE||
1|26||Does she imagine or remember her family and the court?|ROYAL BALLET & ROYAL OPERA HOUSE||
1|27||Pas de deux: Anna and her husband|ROYAL BALLET & ROYAL OPERA HOUSE||
1|28||Memories and imagination become ever more frenzied|ROYAL BALLET & ROYAL OPERA HOUSE||
1|29||With Olga; Rasputin interrupts|ROYAL BALLET & ROYAL OPERA HOUSE||
1|30||With her husband; again Rasputin interrupts|ROYAL BALLET & ROYAL OPERA HOUSE||
1|31||She remembers her child|ROYAL BALLET & ROYAL OPERA HOUSE||
1|32||Nurses dispose of the childs body|ROYAL BALLET & ROYAL OPERA HOUSE||
1|33||Anna is comforted by her husband|ROYAL BALLET & ROYAL OPERA HOUSE||
1|34||She exorcizes Rasputin's power over her|ROYAL BALLET & ROYAL OPERA HOUSE||
1|35||Anna Anderson triumphantly alone with the ghosts of the past|ROYAL BALLET & ROYAL OPERA HOUSE||
1|36||Applause and courtain calls|ROYAL BALLET & ROYAL OPERA HOUSE||
1|37||Credits|(ein Angaben)||"

Anastasia

Evenementen overvallen de jonge Groothertogin Anastasia Romanov en haar familie: de Eerste Wereldoorlog wordt uitgeroepen en de Russische Revolutie brengt hun bevoorrechte leven ten einde.<br /><br />Een vrouw die gelooft dat ze Anastasia is, de enige overlevende van het bloedbad van de Romanovs, zit gevangen in een gesticht. Geheugen en fantasie vermengen zich; ze herinnert zich haar redding, de dood van haar man, de verdwijning van haar kind en haar poging tot zelfmoord. Maar ondanks haar nachtmerries kan haar vertrouwen in haar eigen identiteit niet worden geschokt.<br /><br />"1|1||Opening|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|2||Prelude: The distorting mirror of memory, time and place (1. Akt)|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|3||On board the imperial yacht, August 1914|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|4||Anastasia, the Tsar's youngest daughter, joins her three sisters on deck|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|5||Anastasia dances with the officers|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|6||Others join the dance|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|7||Three officers jump into the sea to take a swim|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|8||Rasputin with the imperial family|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|9||Anastasia's solo|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|10||Anastasia and the Tsarina|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|11||The women of the imperial court dance|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|12||Alexey falls and Rasputin demonstrates his healing powers|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|13||The Tsar and Tsarina take Alexey below deck|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|14||The three officers return from their swim|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|15||Anastasia and her sister Olga lead a dance|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|16||The Tsar is handed news of the outbreak of war|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|17||The ballroom at the imperial palace (2. Akt)|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|18||Anastasia is presented to society|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|19||The Tsar's favourite ballerina and her partner dance for the guests|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|20||Anastasia is haunted by the ghost of Rasputin|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|21||Anastasia is puzzled by the relationships at court|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|22||The revolutionaries prepare|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|23||The ball is interrupted by the revolution|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|24||Past and present intermingle (3. Akt)|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|25||Anna Anderson's identity is questioned: is she Anastasia?|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|26||Does she imagine or remember her family and the court?|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|27||Pas de deux: Anna and her husband|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|28||Memories and imagination become ever more frenzied|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|29||With Olga; Rasputin interrupts|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|30||With her husband; again Rasputin interrupts|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|31||She remembers her child|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|32||Nurses dispose of the childs body|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|33||Anna is comforted by her husband|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|34||She exorcizes Rasputin's power over her|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|35||Anna Anderson triumphantly alone with the ghosts of the past|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|36||Applause and courtain calls|ROYAL BALLET & ROYAL OPERA HOUSE||<br />1|37||Credits|(ein Angaben)||"

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